Introspective artist Blake is buckling under the weight of fame, professional obligations and a mounting feeling of isolation. Dwarfed by towering trees, Blake slowly makes his way through dense woods. He scrambles down an embankment to a fresh spring and undresses for a short swim. The next morning he returns to his house, an elegant, if neglected, stone mansion. Many people are looking for Blake–his friends, his managers and record label, even a private detective–but he does not want to be found. In the haze of his final hours, Blake will spend most his time by himself. He avoids the people who are living in his house, who approach him only when they want something, be it money or help with a song. He hides from one concerned friend and turns away another. He visits politely with a stranger from the Yellow Pages sales department, and he ducks into an underground rock club. He wanders through the woods and he plays a new song, one last rock and roll blowout. Finally, alone in the greenhouse, Blake will look and listen–and seek release.
葛斯范桑的青春死亡三部曲最終章，隱喻了「超脫」(Nirvana)的主唱寇特柯本(Kurt Cobain)之死。請來曾演出《巴黎初體驗》的麥可比特(Michael Pitt)主演。
對白極簡、步調沉緩，全片散發出濃烈的絕望氛圍，徹底顛覆搖滾傳記片的傳統模式，成為形式上反高潮，內容上反英雄的作品。透過孤立的鏡頭，觀眾目睹了寇特柯本生命的末章，並未如烈焰般熊熊燃燒，而是逐漸枯萎凋零。他成為另一位預知自己死期的搖滾亡靈，一步步邁向困惑人生的終點。
Last Days, Gus Van Sant, 2005.avi
1.3G
ouo.io/KxoyXFS
tei.ai/PTit1VP
www.shrink-service.it/s/sw5fru
www.shrink-service.it/s/MMzPfr